Brand | Seymour Duncan |
---|---|
Magnet Type | Alnico 5 |
DC Resistance | 7.6 |
Pole Pieces | Single Screw |
Position | Neck |
Inductance | 3.97 |
Wire Guage | N/A |
Wire Type | N/A |
Artists | Cameron Maynard, Chino Moreno, Dickey Betts, Fredrik Akesson, Gary Rossington, Jason Hook, Jerry Horton, Karl Sanders, Michael Landau, Nuno Betterncourt, Paul Stanley, Robben Ford, Scott Ian, Zacky Vengeance |
Country of Origin | United States |
Baseplate Material | Nickel Silver |
Rec. Pot Value | 500K |
Sound | Humbucker |
Strings | 6, 7 |
Pole Spacing | Standard |
Noiseless | Yes |
Resonant Peak | 3.3 |
Seymour Duncan 59 Model Neck
Seymour Duncan’s take on a PAF-style humbucker with modern construction.
$99.00
Seymour Duncan’s take on a PAF-style humbucker with modern construction.
$99.00
We have not currently reviewed the Seymour Duncan 59 Model Neck pickup. As we continue development of Guitar Pickup Database, we will be adding in-depth reviews of all guitar pickups we test. In the meantime, we encourage anyone who has experience with this pickup model to leave a review and rating to help others understand its sonic characteristics. If you’re interested in purchasing this pickup, please click “Find this on Reverb.com” to support us!
2 reviews for Seymour Duncan 59 Model Neck
It is very common and you can easily see this humbucker from Seymour Duncan on many guitars by any brand. Ibanez, Schecter, Gibson, Heritage, Yamaha, FGN, Fender for a small list of ’59 user brands. It is very common but this does not mean the worth of ’59 is well known, unfortunately. The reason is somewhere down here…
First of all, the techical specs;
Wire Gauge: 42 AWG
Wire Insulation: Plain Enamel
Leg Type: Long Legged
D.C. Resistance: 7,43k (neck model) / 8,13k (bridge model)
Resonance Peak: 6,80KHz (neck model) / 6,00KHz (bridge model)
EQ: B/M/T = 6/3/8
Magnet Type: Polished Alnico V Bar
First of all Seymour Duncan’59 is a PAF clone. Thus all typical specs are reminiscent of pickups on 1959 model Gibson Les Paul. Not as microscobicly same as the Seth Lover set or the Antiquity series but just as close as possible in this price and production range. Thats a good for ’59. Anyway, typical ’59 humbuckers come with single braided wire but four conductor 59 models are available, too. Furthermore, 7 string, trembucker spacing, nickel or gold covered versions are on the market today.
I believe the easiest way to describe this humbucker is this; “well (mass) produced Alnico 5 PAF clone for great versatility”. Actually, i have no experience with bridge model but the neck model is very cool humbucker. It has lots of basses and trebles with clarity (not in the level of Jazz btw). Low mids and upper mids are there but not much and it is easy to hear if you can compare ’59 with a overwound humbucker like JB. The general sound will be fine if your guitars is not too bright. Besides, if your guitar sounds more than “warm”, because of fully charged powerful Alnico V magnet, muddiness can be your problem, especially on your wound strings. To overcome the muddiness modifying the magnet can be suggested in two ways; replace the Alnico V magnet with a Alnico IV bar. But before replacing the magnet, there is alternative way to try first hand; set lower your humbucker from the strings till the output begins silly and then slowly rise the screws of your humbucker bobbin. Seymour W. Duncan suggests this tip on Q&A section of Duncan website;
“This is a trick I’ve seen Jeff Beck do on a guitar I built for him during the 70’s. It was nicknamed The Tele-Gib and he used in on songs like “Cause we’ve ended as lovers” and he was seen playing it on the “Secrets Policeman’s Ball” video. He would lower the bridge pickup about 1/4” from the strings and raise the adjustable pole pieces to about 1/16” from the strings. This would give him extra bite without the sound being to fat or full and still be humbucking. By raising the poles keeps the stud side further away from the strings and not as dirty when the volume in up all the way on the guitar. He could make the guitar cry more when manipulating the volume and tone controls during the intro to the song “Cause we’ve ended as lovers”.”
Well, ’59 neck model sounds really well on certaion short scale Les Paul type guitars, also good on longer scale strats or superstrats as well. Versatility is the key factor for this pickup. Whether you play hard and heavy music or warm blues, you will hear nice tones from your guitar on neck position. The amount of this “nice tones” i’ve just mentioned is up to your guitar and its natural tones. Because ’59 is not overly wound will not suppress/compress the overtones, harmonics etc. which will come out from the wood of your guitar. Next thing you know, you will like it in pair with a powerfull humbucker on bridge position as Dimebag Darrel had done before he passed away. You may like to pair ’59 with a Seymour Duncan JB on bridge; it’s a classic.
I like the tight responce of ’59 on 25,5” scale guitars, strats and superstrats with alder or ash body. You may fall in love the sound you will hear on your tube amp which set up in a level of “bout-to-breaking” or “slightly broken”. I think you can guess the sweet spot of your amp; if you hit harder amp it will break, if you pluck the strings softer, then it sounds clean. And ’59 will do its job pretty nice in that amp settings.
’59 is one of the oldest humbuckers of Duncan production line. It has very reasonable price and can be seen on almost every brand as i told before. Thats the reason i see some people who cant evaluate the real worth of ’59. Okay, ’59 is cool as a PAF clone and, for me, Seth Lover sor Antiquity lines are better. But ’59 has very fair price for a pickup in that quality. So the price/performance(or quality) ratio is very low, relatively. Thats why if you have limited budget to go for a successful and versatile PAF clone, ’59 makes itself as a great choice. If you have much money to spend and havent tried ’59 before, why dont you give it a chance?
Baris SAHIN
https://guitarism-tr.blogspot.com/2011/05/seymour-duncan-59-sh-1-review.html
A little tubby sounding, imho. Tried them in a number of guitars. Could have more treble, imho… love the Jazz neck so much more..
Our Thoughts
We have not currently reviewed the Seymour Duncan 59 Model Neck pickup. As we continue development of Guitar Pickup Database, we will be adding in-depth reviews of all guitar pickups we test. In the meantime, we encourage anyone who has experience with this pickup model to leave a review and rating to help others understand its sonic characteristics. If you’re interested in purchasing this pickup, please click “Find this on Reverb.com” to support us!
Pickup Specs
Brand | Seymour Duncan |
---|---|
Magnet Type | Alnico 5 |
DC Resistance | 7.6 |
Pole Pieces | Single Screw |
Position | Neck |
Inductance | 3.97 |
Wire Guage | N/A |
Wire Type | N/A |
Artists | Cameron Maynard, Chino Moreno, Dickey Betts, Fredrik Akesson, Gary Rossington, Jason Hook, Jerry Horton, Karl Sanders, Michael Landau, Nuno Betterncourt, Paul Stanley, Robben Ford, Scott Ian, Zacky Vengeance |
Country of Origin | United States |
Baseplate Material | Nickel Silver |
Rec. Pot Value | 500K |
Sound | Humbucker |
Strings | 6, 7 |
Pole Spacing | Standard |
Noiseless | Yes |
Resonant Peak | 3.3 |
2 reviews for Seymour Duncan 59 Model Neck
It is very common and you can easily see this humbucker from Seymour Duncan on many guitars by any brand. Ibanez, Schecter, Gibson, Heritage, Yamaha, FGN, Fender for a small list of ’59 user brands. It is very common but this does not mean the worth of ’59 is well known, unfortunately. The reason is somewhere down here…
First of all, the techical specs;
Wire Gauge: 42 AWG
Wire Insulation: Plain Enamel
Leg Type: Long Legged
D.C. Resistance: 7,43k (neck model) / 8,13k (bridge model)
Resonance Peak: 6,80KHz (neck model) / 6,00KHz (bridge model)
EQ: B/M/T = 6/3/8
Magnet Type: Polished Alnico V Bar
First of all Seymour Duncan’59 is a PAF clone. Thus all typical specs are reminiscent of pickups on 1959 model Gibson Les Paul. Not as microscobicly same as the Seth Lover set or the Antiquity series but just as close as possible in this price and production range. Thats a good for ’59. Anyway, typical ’59 humbuckers come with single braided wire but four conductor 59 models are available, too. Furthermore, 7 string, trembucker spacing, nickel or gold covered versions are on the market today.
I believe the easiest way to describe this humbucker is this; “well (mass) produced Alnico 5 PAF clone for great versatility”. Actually, i have no experience with bridge model but the neck model is very cool humbucker. It has lots of basses and trebles with clarity (not in the level of Jazz btw). Low mids and upper mids are there but not much and it is easy to hear if you can compare ’59 with a overwound humbucker like JB. The general sound will be fine if your guitars is not too bright. Besides, if your guitar sounds more than “warm”, because of fully charged powerful Alnico V magnet, muddiness can be your problem, especially on your wound strings. To overcome the muddiness modifying the magnet can be suggested in two ways; replace the Alnico V magnet with a Alnico IV bar. But before replacing the magnet, there is alternative way to try first hand; set lower your humbucker from the strings till the output begins silly and then slowly rise the screws of your humbucker bobbin. Seymour W. Duncan suggests this tip on Q&A section of Duncan website;
“This is a trick I’ve seen Jeff Beck do on a guitar I built for him during the 70’s. It was nicknamed The Tele-Gib and he used in on songs like “Cause we’ve ended as lovers” and he was seen playing it on the “Secrets Policeman’s Ball” video. He would lower the bridge pickup about 1/4” from the strings and raise the adjustable pole pieces to about 1/16” from the strings. This would give him extra bite without the sound being to fat or full and still be humbucking. By raising the poles keeps the stud side further away from the strings and not as dirty when the volume in up all the way on the guitar. He could make the guitar cry more when manipulating the volume and tone controls during the intro to the song “Cause we’ve ended as lovers”.”
Well, ’59 neck model sounds really well on certaion short scale Les Paul type guitars, also good on longer scale strats or superstrats as well. Versatility is the key factor for this pickup. Whether you play hard and heavy music or warm blues, you will hear nice tones from your guitar on neck position. The amount of this “nice tones” i’ve just mentioned is up to your guitar and its natural tones. Because ’59 is not overly wound will not suppress/compress the overtones, harmonics etc. which will come out from the wood of your guitar. Next thing you know, you will like it in pair with a powerfull humbucker on bridge position as Dimebag Darrel had done before he passed away. You may like to pair ’59 with a Seymour Duncan JB on bridge; it’s a classic.
I like the tight responce of ’59 on 25,5” scale guitars, strats and superstrats with alder or ash body. You may fall in love the sound you will hear on your tube amp which set up in a level of “bout-to-breaking” or “slightly broken”. I think you can guess the sweet spot of your amp; if you hit harder amp it will break, if you pluck the strings softer, then it sounds clean. And ’59 will do its job pretty nice in that amp settings.
’59 is one of the oldest humbuckers of Duncan production line. It has very reasonable price and can be seen on almost every brand as i told before. Thats the reason i see some people who cant evaluate the real worth of ’59. Okay, ’59 is cool as a PAF clone and, for me, Seth Lover sor Antiquity lines are better. But ’59 has very fair price for a pickup in that quality. So the price/performance(or quality) ratio is very low, relatively. Thats why if you have limited budget to go for a successful and versatile PAF clone, ’59 makes itself as a great choice. If you have much money to spend and havent tried ’59 before, why dont you give it a chance?
Baris SAHIN
https://guitarism-tr.blogspot.com/2011/05/seymour-duncan-59-sh-1-review.html
A little tubby sounding, imho. Tried them in a number of guitars. Could have more treble, imho… love the Jazz neck so much more..